A linguistic maze, a net of confessions erupting at night, spoken by women’s lips and heard by men’s ears. This is quite a rare occurrence in dramaturgy. Presenting Asya Vološina’s play means inviting the audience into a strained time in which anxieties are unfolding about ourselves, our bodies, our children, the country and the future. This is an opportunity to delve deeper into the concept of freedom. > More

Kara Ben Nemsi, the famous character in the works of Karl May, flees the East  and heads toward German lands with a group of actors from Kosovo. On this almost epic journey, he encounters Slavoj Zizek, Peter Handke, a member of the National Socialist Underground, and a host of other characters. The play confronts the audience with Western Europe’s almost demonizing approach toward the East—its supposed cultural, political, and intellectual superiority—which, according to Aleksandar Hemon, is deeply rooted in colonialism and racism. > More